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Terrific 12¨ purple vinyl and as Waste Editions crew are really into emotive and personal sounds ,on this occasion this new release "Inside us " by Old Coroner can´t be otherwise...

 

COÀGUL is the muzak project of the visual artist Marc O'Callaghan (Barcelona, 1988). Its main function is to concentrate the energy of certain cosmic principles in the physical spot where its sound is performed or reproduced...

 

...Back at that time [S] employed worn and minimal gear, using primitive recording technics (hand-manipulation, mostly) in order to create "old school" and minimalistic industrial, black / dark ambient and noise but including many elements that can be recognized on Kazeria´s later works.....

 

Waste is set up as GH Records´s electronic music sublabel which wants to release gloomy and emotive stuff and besides to look for new artists and well-know also.

Mary X - An Industrial Tribute to Eraserhead

Mary X
An Industrial Tribute to Eraserhead
Label: Gradual Hate Records
Format: CD Jewel Box
Country: Spain
Released: 25 Oct 2013
Style: Industrial Experimental Noise

More details


10,00 €

H.T.M.02 CD

Reminiscent of the eighties era of cassettes, the Mail Art, the industry's most insane music, noise and field recordings abrupt more rugged. His first work was published in RIR. And their aesthetic obsessions are confusion, anger, marginal world, and all the contradictions of this society bastard. His greatest influences are Whitehouse, Karkowski, Crass, Merzbow, Geometric Splendor and the personal universe of David Lynch...

 

 

Mary X es la vertiente más visceral, minimalista y oscurantista de Sergio Sánchez, ruidista y fonografista que también firma como Jazznoize y Mao Sound System. Sus señas de identidad bajo el pseudónimo de Mary X son, las reminiscencias de la época ochentera de las cassettes, del Mail Art, la música industria más insana, el noise abrupto y las field recordings más escabrosas. Su primer trabajo se publicó en RIR. Sus obsesiones estéticas son la confusión, la ira, el mundo marginal, y todas las contradicciones de esta sociedad bastarda. Sus máximas influencias son Whitehouse, Karkowski, Crass, Merzbow, Esplendor Geométrico, y el universo personal de David Lynch. Sus grabaciones son complicados collages de bajas frecuencias, ruido, field recording extremo, y mucha dosis de estética-actitud DIY. ¿El nuevo Crass del noise? Mary X es la puerta de entrada a un mundo catatónico y abrasivo

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