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Terrific 12¨ purple vinyl and as Waste Editions crew are really into emotive and personal sounds ,on this occasion this new release "Inside us " by Old Coroner can´t be otherwise...

 

COÀGUL is the muzak project of the visual artist Marc O'Callaghan (Barcelona, 1988). Its main function is to concentrate the energy of certain cosmic principles in the physical spot where its sound is performed or reproduced...

 

...Back at that time [S] employed worn and minimal gear, using primitive recording technics (hand-manipulation, mostly) in order to create "old school" and minimalistic industrial, black / dark ambient and noise but including many elements that can be recognized on Kazeria´s later works.....

 

Waste is set up as GH Records´s electronic music sublabel which wants to release gloomy and emotive stuff and besides to look for new artists and well-know also.

Burzum ‎– Fallen

Burzum ‎– Fallen
Label: Back On Black ‎– BOBV293LP
Format: Vinyl, LP, Album 
Country: UK
Released: 07 Mar 2011
Style: Black Metal

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29,50 €

BOBV293LP

Warning: Last items in stock!

Fallen is the eighth studio album by the Norwegian artist Burzum, released on 7 March 2011.

The cover art is taken from the painting Elegy (1899) by French painter William-Adolphe Bouguereau.

Fallen was recorded and mixed during two weeks in Grieghallen studios, using a Spector bass with alembic electronics on a VOX AC50 amp from 1965, a Ludwig drum kit (with a 26-inch kick) from 1975, a Neumann M149 microphone and stereo Schoeps CMTS 501 U microphones for vocals, an OBH Nordica Harmony 6487, a custom Stig instrument and a Peavey 23 guitar on a Peavey 6505 (120 Watt) amp.

According to Varg Vikernes himself, "Musically Fallen is like a cross between Belus and something new, inspired more by the debut album and Det som engang var than by Hvis lyset tar oss or Filosofem. The sound is more dynamic – we mastered the album as if it was classical music – and I was more experimental than I was on Belus in all respects. Lyricwise it is similar to the debut album, in the way that it is more personal and focuses on existential issues, but the mythological undertone known from Belus is still there. I have also included some ambient tracks – a short introduction and a longer conclusion".

 

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